Ação do governo militar na cultura e a crítica de música popular brasileira de Aramis Millarch

Rogério de Brito Bergold; Miguel Archanjo de Freitas Júnior

doi:10.19180/1809-2667.v20n12018p81-96

Military government actions in the cultural scene and Aramis Millarch’s criticism of Brazilian popular music

Authors

Rogério de Brito Bergold Universidade Estadual de Ponta Grossa (UEPG), Ponta Grossa/PR
Miguel Archanjo de Freitas Júnior Universidade Estadual de Ponta Grossa (UEPG), Ponta Grossa/PR

DOI:

https://doi.org/10.19180/1809-2667.v20n12018p81-96

Keywords:

Culture, Military government, Cultural journalism, Aramis Millarch

Abstract

The purpose of this article is to analyse military government action in the area of culture and the work of journalist Aramis Millarch (1943-1992) regarding Brazilian popular music criticism in the newspaper O ESTADO DO PARANA from 1965 to 1975. Analysis of the official document Política Nacional de Cultura (1975) shows that it aimed at the formation of national identity and consumption incentive. Regarding Millarch’s criticism, we defined six categories: 1) The Best Popular Music; 2) Brazilian Popular Music Researchers Association; 3) Popular Music in Paraná; 4) Recording Industry; 5) Musical Appreciation; 6) Audience Distinction.

Downloads

Download data is not yet available.

Author Biographies

Rogério de Brito Bergold, Universidade Estadual de Ponta Grossa (UEPG), Ponta Grossa/PR

Mestre em Musicologia (UNIRIO). Professor da Universidade Estadual de Ponta Grossa (UEPG) - Ponta Grossa/PR - Brasil. E-mail: rogerio.debrito@hotmail.com.
Miguel Archanjo de Freitas Júnior, Universidade Estadual de Ponta Grossa (UEPG), Ponta Grossa/PR

Doutorado em História (UFPR). Pró-Reitor de Graduação da Universidade Estadual de Ponta Grossa - Ponta Grossa/PR - Brasil. E-mail: mfreitasjr@uepg.br.

Downloads

Published

27-04-2018

Issue

Vol. 20 No. 1 (2018): Jan./Apr.

Section

Original articles

License

The authors of the manuscript submitted to Vértices, hereby represented by the corresponding author, agree to the following terms:

The authors retain the copyright and grant Vértices the right of first publication.

At the same time the work is licensed under the Creative Commons Attribution 4.0 International License, allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon its content for any legal purpose, even commercially, provided the original work is properly cited.

Authors will not receive any material reward for the manuscript and Essentia Editora will make it available online in Open Access mode, through its own system or other databases.

Authors are authorized to enter into additional contracts separately for non-exclusive distribution of the version of the work published in Vértices (eg, publish in institutional repository or as book chapter), with acknowledgment of authorship and initial publication in this journal.

Authors are permitted and encouraged to disseminate and distribute the post-print (ie final draft post-refereeing) or publisher's version/PDF at online information sources (eg, in institutional repositories or on their personal page) at any time after the first publication of the article by Vértices.

Essentia Editora may make normative, orthographic and grammatical changes in the originals in order to maintain the standard language, with the final consent of the authors.

The content and opinions expressed in the manuscript are the sole responsibility of the author (s).

How to Cite

BERGOLD, Rogério de Brito; FREITAS JÚNIOR, Miguel Archanjo de. Military government actions in the cultural scene and Aramis Millarch’s criticism of Brazilian popular music. Revista Vértices, [S. l.], v. 20, n. 1, p. 81–96, 2018. DOI: 10.19180/1809-2667.v20n12018p81-96. Disponível em: https://editoraessentia.iff.edu.br/index.php/vertices/article/view/10051.. Acesso em: 12 may. 2024.